Monday, 31 March 2014

Fibonacci Sequence

It is pronounced as Fi-Bon-na-ci.
In Mathematics it is a sequence number
0. 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144 ….
HISTORY
Also known as the Golden Mean, Phi, or Divine Proportion, this law was made famous by Leonardo Fibonacci around 1200 A.D. He noticed that there was an absolute ratio that appears often throughout nature, a sort of design that is universally efficient in living things and pleasing to the human eye. Hence, the “divine proportion” nickname.
Since the Renaissance, artists and architects have designed their work to approximate this ratio of 1:1.618. It’s found all over the Parthenon, in famous works of art like the Mona Lisa and the Last Supper, and it’s still used today. The divine proportion has been used by companies like Apple to design products, it’s said to have been used by Twitter to create their new profile page, and has been used by major companies all over the world to design logos. It’s not talked about in most photography circles because it’s a somewhat advanced method of composition and can be confusing to a lot of people. It’s so much easier to just talk about the “rule of thirds” because it’s exact, precise and easy to follow.
This ratio can be used in many ways to compose a photograph. Lightroom 3 even has a golden ratio overlay option when you go to crop on image. This way, you can line up a grid of the golden ratio to coincide with lines or points of interest in your photograph. At this point, you may be quite confused. If you are, please take a few moments to watch any one (or all) of these videos that seek to explain this ratio.
When you take the sweet spot of the Fibonnaci Ratio and recreate it four times into a grid, you get what looks to be a rule of thirds grid. However, upon closer inspection you will see that this grid is not an exact splitting of the frame into three pieces. Instead of a 3 piece grid that goes 1+1+1=frame, you get a grid that goes 1+.618+1=frame. Here are a few examples a Phi grid placed over some images that I’ve used it on in the past…
http://www.eidetic.me/fibonacci-golden-ratio/
I find this article and concept very interesting so I will experiment with the Golden Ratio/Fibonacci Sequence in my photography.

Thursday, 27 March 2014

Lightbulb Moment

Just had a really long chat with Gwen about careers and university and what I want to do because I was torn between photography and painting. She asked me if I was told that I could do photography but never paint again, how I'd feel. I said that I'd choose painting. And if I could paint but never do photography again, I'd paint. I just love painting, I love making people go "wow" and speechless. 
I wanted to do photography because I felt as though the money and job prospects would be better and easier. But I've been told that if I love something an am passionate about something then the money will follow. 
But now what do I do? Do I change my project slightly so I can paint? Or do I stick with photography? Then after this course what do I do? Do I try the hnd in art at Stoke college? Or do I apply late for a degree? Or neither? 

Tuesday, 25 March 2014

Session With Anne-Lise Part 2

We experimented on Illustrator with the image trace tool and all the paint brushes. Now, when I want the effect of a paint splatter or brush stroke, I know how to use Illustrator to achieve that. I really like the way it turned out but I'm not sure if it will be relevant to my project and the theme of Staffordshire folklore.


Session With Anne-Lise

 Top image: difference layer blending

 Top image: divide layer blending

Top image: difference layer blending

Half tone pattern man, threshold dog and overlay layer blending 

 Half tone patter man, overlay layer blending, no dog

 Top image: overlay layer blending

Paint brushes and darker colour layer blending mode

Top image: vivid light layer blending




paint darken, man two threshold and lighten blending mode, man one half tone pattern and lighten blending mode, text divide blending mode.

Picture 
http://louisa-tattersall.weebly.com/tim-marrs.html

These images are in the style of Tim Marrs. I really like how they turned out, I might experiment more with them in the future or I may use some of the techniques I learnt in the session with other images. I will experiment more with using layers because I really like the effect of different layers with different effects on them.

Eerie Photos in the Style of Matthias Heidrich


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I really love how these photos turned out, I took my already misty photos and converted them to black and white, added a photo warming filter, made the foreground really really dark and made some parts of the photos blurred. I think I will use this technique again in the future. I feel like it really makes the landscape look eerie like Matthias' work.

Tuesday, 18 March 2014

Mermaid's Pool

Black Mere Pool, home to one of the only inland mermaids in Britain, sits in a windblown bowl on a ridge between Leek to and Buxton, not far off the A53. 
Its waters are dark and peat-stained. Cattlerefuse to drink there, the stories go, and birds will not fly over it. They say it’s level never changes, even in drought, and it’s surface never freezes.
We stop in Esso to ask directions. ‘It’s bottomless,’ you know,’ says a guy on the forecourt, the red and white banner of the petrol station bright in the day’s grey. ‘They think it’s a u- bend: it goes down at Black Mere, and comes up elsewhere. A fire engine pumped it once during a moorland fire, and the water level did not lower.’
Out to the west, this part of the Peak District has a greater emptiness than the others, and folk tales rear out of the howling waste like landforms in fog: migrating, mutating, never quite knowable. Black Mere, still and black with peat hags and sumps around it’s edges, fishes up more tales than most.
In medieval times a young local man, Joshua Linnett, had a young girl branded as a witch and drowned her in this pool. As she floundered she cursed her accuser and said he’d suffer the same fate. Three days later he was found floating face down, his face torn by talons.
In another story the mermaid was brought here by a sailor from nearby Thorncliff, who fell in love and brought her back from the sea.
Whatever the origin of this creature, she is said to live here, half-fish, half-human, rising at midnight to lure single men to her and then drown them in it’s appalling depths.
We arrive in a big wind to meet her, shouldering the car door open. The wind snatches papers from the back seat, swirling them away, then swipes at our legs with the bitterness of the damned.
We change and hope across the peat hags, semi-naked. Colin steps on into an unstable bit of bog and is quickly swallowed, his downward progress leg halted only by the impact of his groin on firmer ground. He pulls his leg out, like a cold filthy ham.
We get in, exchanging one concentration of partly decomposed plant with another. It stops short of being actually wretched. The water is chilling and I swim across it’s depths with gasping alarm. On the journey back, Colin duckdives, in search of the mermaid and her underwater lair, - his flesh quickly unseeabledisappearing.
He emerges with the news that the unknowable depths are six feet – either that or he hit a ledge.
We retire for lunch at the Mermaid Inn down the road, - Colin sad that he didn’t get hijacked by a watery siren, and determined to return alone, in the apogee of darkness, when supernatural forces are at their most powerful, and magic creatures haunt the night.

Swum by: Kate Rew, Colin Hill


http://wildswim.com/mermaids-pool-nr-leek

Quick Experiment

I had a quick experiment on Photoshop with the photos that I took from Lud's Church on Sunday and found the lens flare effect and the lighting effect. I think the lens flare works really well but I'm not so sure on the lighting effect... (the second of each image) because the sky looks too green to me. However, it does give it a sort of mysterious, magical atmosphere which links in with the theme of folklore quite well.








Sir Gawain and the Green Knight Summary from SparkNotes

During a New Year’s Eve feast at King Arthur’s court, a strange figure, referred to only as the Green Knight, pays the court an unexpected visit. He challenges the group’s leader or any other brave representative to a game. The Green Knight says that he will allow whomever accepts the challenge to strike him with his own axe, on the condition that the challenger find him in exactly one year to receive a blow in return.
Stunned, Arthur hesitates to respond, but when the Green Knight mocks Arthur’s silence, the king steps forward to take the challenge. As soon as Arthur grips the Green Knight’s axe, Sir Gawain leaps up and asks to take the challenge himself. He takes hold of the axe and, in one deadly blow, cuts off the knight’s head. To the amazement of the court, the now-headless Green Knight picks up his severed head. Before riding away, the head reiterates the terms of the pact, reminding the young Gawain to seek him in a year and a day at the Green Chapel. After the Green Knight leaves, the company goes back to its festival, but Gawain is uneasy.
Time passes, and autumn arrives. On the Day of All Saints, Gawain prepares to leave Camelot and find the Green Knight. He puts on his best armor, mounts his horse, Gringolet, and starts off toward North Wales, traveling through the wilderness of northwest Britain. Gawain encounters all sorts of beasts, suffers from hunger and cold, and grows more desperate as the days pass. On Christmas Day, he prays to find a place to hear Mass, then looks up to see a castle shimmering in the distance. The lord of the castle welcomes Gawain warmly, introducing him to his lady and to the old woman who sits beside her. For sport, the host (whose name is later revealed to be Bertilak) strikes a deal with Gawain: the host will go out hunting with his men every day, and when he returns in the evening, he will exchange his winnings for anything Gawain has managed to acquire by staying behind at the castle. Gawain happily agrees to the pact, and goes to bed.
The first day, the lord hunts a herd of does, while Gawain sleeps late in his bedchambers. On the morning of the first day, the lord’s wife sneaks into Gawain’s chambers and attempts to seduce him. Gawain puts her off, but before she leaves she steals one kiss from him. That evening, when the host gives Gawain the venison he has captured, Gawain kisses him, since he has won one kiss from the lady. The second day, the lord hunts a wild boar. The lady again enters Gawain’s chambers, and this time she kisses Gawain twice. That evening Gawain gives the host the two kisses in exchange for the boar’s head.
The third day, the lord hunts a fox, and the lady kisses Gawain three times. She also asks him for a love token, such as a ring or a glove. Gawain refuses to give her anything and refuses to take anything from her, until the lady mentions her girdle. The green silk girdle she wears around her waist is no ordinary piece of cloth, the lady claims, but possesses the magical ability to protect the person who wears it from death. Intrigued, Gawain accepts the cloth, but when it comes time to exchange his winnings with the host, Gawain gives the three kisses but does not mention the lady’s green girdle. The host gives Gawain the fox skin he won that day, and they all go to bed happy, but weighed down with the fact that Gawain must leave for the Green Chapel the following morning to find the Green Knight.
New Year’s Day arrives, and Gawain dons his armor, including the girdle, then sets off with Gringolet to seek the Green Knight. A guide accompanies him out of the estate grounds. When they reach the border of the forest, the guide promises not to tell anyone if Gawain decides to give up the quest. Gawain refuses, determined to meet his fate head-on. Eventually, he comes to a kind of crevice in a rock, visible through the tall grasses. He hears the whirring of a grindstone, confirming his suspicion that this strange cavern is in fact the Green Chapel. Gawain calls out, and the Green Knight emerges to greet him. Intent on fulfilling the terms of the contract, Gawain presents his neck to the Green Knight, who proceeds to feign two blows. On the third feint, the Green Knight nicks Gawain’s neck, barely drawing blood. Angered, Gawain shouts that their contract has been met, but the Green Knight merely laughs.
The Green Knight reveals his name, Bertilak, and explains that he is the lord of the castle where Gawain recently stayed. Because Gawain did not honestly exchange all of his winnings on the third day, Bertilak drew blood on his third blow. Nevertheless, Gawain has proven himself a worthy knight, without equal in all the land. When Gawain questions Bertilak further, Bertilak explains that the old woman at the castle is really Morgan le Faye, Gawain’s aunt and King Arthur’s half sister. She sent the Green Knight on his original errand and used her magic to change Bertilak’s appearance. Relieved to be alive but extremely guilty about his sinful failure to tell the whole truth, Gawain wears the girdle on his arm as a reminder of his own failure. He returns to Arthur’s court, where all the knights join Gawain, wearing girdles on their arms to show their support.
 http://www.sparknotes.com/lit/gawain/summary.html  Date accessed: 18/03/14
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List of websites for the folklore/stories


...

I decided that I didn't like the idea of a calendar of Staffordshire landscapes after a group crit in Gwen's lesson on thursday. It was pointed out to me that it could be boring and I would need to make it different. Well they didn't say boring but they did say that I'd have to make it different. So I thought about it and couldn't think how to make it different. So I came up with a different idea, inspired by a book I read last Tuesday, Skyscapes by J. Odermatt. It was a simple book, photographs with a bit of text. I decided to create a book of photos of landscapes from the same area, but to make it more unique and interesting, base it on the folklore and stories of the area, for example The Mermaid Pool. Whether I will just write about the story in that particular area or use another way of telling the story I don't know yet, that'll be where I'll experiment within my project.
I will still experiment with how the lighting and weather affects the landscape and use dark room techniques and other experimental techniques such as tape transfer.

Tuesday, 11 March 2014

Inspiration... Jon Cruttenden













I have posted more of Jon's work than Chris Hepburn and Brett Trafford, because he is the one out of the three that inspires me the most. His photos have good composition, colours, atmosphere and lighting and I will try to apply a similar style to my own photos by photographic locations in different lighting.

Inspiration... Brett Trafford







The composition is my favourite element of Brett's work, he uses the rule of thirds well and produces well composed images. I will try to apply this to my own work and produce well composed images also.

Brief Writing and Initial Ideas

The second talk with Suzanne has really helped my ideas come together. As well as focusing on how the lighting affects the landscape, I have decided to include another focal point to link all the images together and so that when I go out and take the photos I have a clear intention and idea of what I want to come back with. I intend to focus on the key features in different areas/locations around the Staffordshire Moorlands. for example; Leek, the monument and other buildings, the market; Ilam, the hall; Butterton, the buildings, etc.

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Journal: Brett Trafford

I really like the compositions that Brett uses in his images - he uses the rule of thirds very effectively. In addition, the images are all very atmospheric - some are dramatic and some are really calming and soothing. This is also emphasized in the colours: the natural, soft colours. The lighting also adds to this effect as he shot most of the photos in the evening or early morning when the light is golden and and its softest, also called the "Golden Hour".
I have been inspired by Brett to shoot my photos during the Golden Hour as much as I can, and to use the rule of thirds in the composition, and also to try to create atmospheric photos.
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Monday, 10 March 2014

Inspiration... Chris Hepburn


http://www.chrishepburn.co.uk/photo16173463.html


http://www.theguardian.com/travel/2012/may/12/mam-tor-derbyshire-walk


http://www.allposters.co.uk/-sp/Sunset-at-the-Roaches-Including-Tittesworth-Reservoir-Staffordshire-Moorlands-Peak-District-Natio-Posters_i8943994_.htm

I am inspired by Chris Hepburn's photography as he has taken photos in the evening where the sun is going down and it gives off a more golden light (the golden hour). I think the orange and golden hues work really well and will try to incorporate this into my own photos.

Tuesday, 4 March 2014

Brief Writing and Initial Ideas

My first talk with Suzanne about my ideas was really helpful as it gave me something to focus on more. I think that the idea of focusing on how the lighting affects the landscape would be a really good idea. I still don't know if I will just do my project on Leek or the Staffordshire Moorlands. I need to look at a range of calendars and the way they are presented and I need to think about how to do all the 12 months: will the photos correspond to that month? i.e a snowy landscape for December. I don't think I will be able to do that as I only have a short amount of time to complete the project.

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Monday, 3 March 2014

Final Major Project Ideas

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I have decided to create a calendar using photos from Staffordshire and the surrounding area (Moorlands, parts of Derbyshire). Experiment with town photography, Leek (market, Totally Locally Leek, architecture). I will take photos of landscapes/towns at different times of the day and in different weather conditions to see how the light affects the landscape.